Onaabani-giizis (Crusty Snow Moon; March 31), 2017
"Our spiritual path was designed way before we were born on Mother Earth; many times you'll be tested and many times you'll fail. "Spiritual Paths" or "The Tree Of Life" is a simple teaching to understand and all you need to do is to take a good look at yourself and see what you truly need. When we try to get things that our neighbours have, this is where our Spiritual Path and design gets confused and ultimately fail. This is where people get confused and create problems in their life.
When confusion sets into your life, you have the ability to choose another branch from the tree of life and follow that branch towards discovery. When you stand back and take a good look, you have so many branches to choose from."*
- Wikwemikong Anishinaabe Medicine Painter James Mishibinijima
*Excerpt from Mishmountains Blogspot, "Teachings to the Tree Of Life."
** Michael Pomedli: Living with Animals - Ojibwe Spirit Powers, University of Toronto Press 2014, p. 109.
Zhaawano Giizhik , an American currently living in the Netherlands, was born in 1959 in North Carolina, USA. Zhaawano has Anishinaabe blood running through his veins; the doodem of his ancestors from Baawitigong (Sault Ste. Marie, Upper Michigan) is Waabizheshi, Marten. As an artist and a writer and a jewelry designer, Zhaawano draws on the oral and pictorial traditions of his ancestors. For this he calls on his manidoo-minjimandamowin, or 'Spirit Memory'; which means he tries to remember the knowledge and the lessons of his ancestors. In doing so he sometimes works together with kindred artists.
To Zhaawano's ancestors the MAZINAAJIMOWIN or ‘pictorial spirit writings’ - which are rich with symbolism and have been painted throughout history on rocks and etched on other sacred items such as copper and slate, birch bark and animal hide - were a form of spiritual as well as educational communication that gave structure and meaning to the cosmos that they felt they were an integral part of.
Many of these sacred pictographs or petroforms – some of which are many, many generations old - hide in sacred locations where the manidoog (spirits) reside, particularly in those mystic places near the lake's coastlines where the sky, the earth, the water, the underground and the underwater meet.
The way Zhaawano understands it, it is in these sacred places invisible to the ordinary, waking eye that his design and storyteller's inspiration originate from.
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